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本书围绕王建疆关于人文学科需要独创的主义的观点和他本人创立别现代主义理论的实践，在国际哲学界和艺术理论界展开对话。对话内容包括：1.人文学科是否需要建立主义？2.主义是怎么建立的？3.别现代主义为什么要别？4.别现代与现代和后现代的区别在哪里？5.中国的人文学科有无必要和可能领先世界？6.别现代主义是否具有世界意义？7.相似艺术的不同意义说明了什么？在对话和讨论中，不仅别现代主义的理论内涵得到进一步充实，而且还催生了阿列西·艾尔雅维茨的哲学四边形论、罗可·本茨的新哲学时刻论等。本书记录了别现代主义的国际背景和来龙去脉以及各种新理论的产生过程，展现了国际学术论辩所带来的话语创新。Brief IntroductionBased on Wang Jianjiang's view about the distinctive zhuyi needed by the humanities and his practice of establishing Bie- modermist theories,this book serves as a platform for dialogue in the intermational philosophical and artistic theoretical circles.The content of the dialogue includes:1.Does the humanities need establishment of zhuyiisms?2.How is the establishment of the doctrine?3.Why is the Bie-modernism different?4.What is the difference between Bie-modern and modern and postmodern?5.Is there a need and possibility for China's humanities to lead the world?6.Does the Bie-modernism have world significance?7.What do the different meanings of similar art illustrate?In the dialogue and debate,not only the theoretical connotation of Bie-modernism has been further enriched,but also generated the philosophical quadrilateral theory of Aleš Erjavec and the new philosophical moment theory of Rok Benčin,etc.This book records the international background and the context of Bie-modernism and the emergence of various new theories,and demonstrates the innovation of discourse brought about by international academic arguments.
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阿列西·艾尔雅维茨，斯洛文尼亚科学与人文研究院科学研究中心哲学研究所研究教授。曾以斯洛文尼亚文、塞尔维亚文、英文和中文出版了15本美学、哲学、文化研究、视觉研究、当代艺术史、前卫艺术等方面的专著和文集。最新著作是《美学革命与二十世纪的前卫运动》。同时任教于卢布尔雅那和上海。曾任斯洛文尼亚美学学会主席（1983-1998，2001-2005）和国际美学协会主席（1998-2001）。
Aleš Erjavec,the research professor in the Institute of Philosophy in the Scientific Research Center of the Slovenian Academy of Sciences and Arts.He is the author or editor of 15 books on aesthetics,philosophy,cultural studies,visual studies,contemporary art history,the avant-gardes,etc.which were published in Slovenian,Serbian,English and Chinese.His most recent book is Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements(ed.,Durham 2015,Belgrade 2016,Shanghai 2017).He teaches in Ljubljana and Shanghai.He was President of the Slovenian Society for Aesthetics(1983-1998,2001-2005)and President of the Intermational Association for Aesthetics(1998-2001).
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上编 别现代的主义之争主义的喧嚣与缺位——以中国美学为例
The Bustle and the Absence of Zhuyi
主义：从缺位到喧嚣？——评王建疆教授的《主义的喧嚣与缺位》一文
Zhuyi:From Absence to Bustle?
哲学、美学、人文学科四边形与别现代主义——对阿列西·艾尔雅维茨《评论》的评论
“Quadrilateral”in Philosophy,Aesthetics and Humanities and Bie-modernism
对王建疆“主义”的补充性评论
Some Additional Remarks Concerning Issues Opened by Prof.Jianjiang Wang
中编 别现代主义论争之扩展平等带来的启示
Lesson in Equality:Some Remarks on the Development of Chinese Aesthetics
别现代：理论的形成与发展
Bie-modern:The Formation and Development of Theory
声音与语言之辨的脱魅
Disenchanting the Distinction between Voice and Speech
案例与真相：对王建疆有关“主义的缺位”命题的进一步讨论
Trivial Truths Related to Further Comments on Wang Jianjiang's“Absence of Zhuyi”
论哲学的“时刻”、解放美学及贾樟柯电影中的“别现代”
Remarks on Philosophical“Moments”,on the Aesthetics of Emancipation and on the“Bie-modern”in the Cinema of Jia Zhangke
中国的哲学和美学没有必要领先世界吗？
Is There No Need for China to Go Ahead of the World in Philosophy and Aesthetics？
下编 别现代主义之建构别现代别在哪里？
What is“Bie”in Bie-modern？
别现代时期相似艺术的不同意义
Similar Art,Different Meaning zhuyi for a Bie-modern Age
主义，别现代主义，理论的必要性和局限性
zhuyi,Bie-modernism,Theory its Necessity and Limitations
一个现代神话
A Modern Myth
从后现代到别现代
Postmodern-Bie-modern
后记
The postscript
作者和译者简介
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