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Diversities in Aesthetics:Selected Papers of The 18th Congress of International Aesthetics

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Speech for Opening Ceremonies International Congress for Aesthetics Beijing,August,2010
Opening ceremony ICA,Beijing,August,2010
I New Approaches to Aesthetics
The Question of Objective Value in a Global World
At Point Zero of Creation
Art:Modern,Postmodern,Relational or Contemporary?
Philosophy and Literature as Program and as Ideal
Fictional Emotion and Its Rationality
Playing surveillance On rules,technology,intimacy,and art
Socio-Political and Cultural Influences Over Transformation and Transition of Artists and Artworks in Postmodernist Milieu
Beauty as a Necessary Condition of Art,and Its Role in the Building of a Society
Art as an Object and the Social Life of Things
Image Strangeness and Possibility
Bare House.Pori-Rotterdam-Ulaanbaatar:On Nomadic and Modernist Spatial Ideals
Counter-Identification and Politics of Art
Transaesthethetics:Aesthetics,Art and Science after the Postmodern Turn
From Aesthetics to Visual Culture Criticism:Focusing on the Critique of the Power of Image
Imaginative Resistance and Truth in Fiction
Comic Amusement,Emotion and Cognition
Capitalism and Aisthesis-Life,Appearance and Art in Walter Benjamin’s work
Art as Crime:The Possibility of Critical Art in a Market-based Society
The Logic of Imagination:Dialectics of Objectification and Signification Through the Correlative and the Self-Reflective Relationship Between Subject(the inner)and Object(the outer)
II Aesthetics of Human Body
The Body as an Image Processor
Touch Me If You Can!:A Historical Analysis of the Control of the Human Body Through Images
Ars Vivendi Reclaimed:On the Virtue of the Body in“Neo-Pre-Modernist”Art Practices
III History of Western Aesthetics and Art
Art and Technology-Two Origins of Truth:Aristotle and Heidegger on Being,Time and the Problem of Movement
Aesthetic Akrasia,Guilty Pleasures,and the Politics of Feminist Responses to Art
When Did the Golden Section Become Part of the Theory of the Maker?
Touching an Image-Border Illumination of the Flanders Manuscripts during the Age of Johannes Gutenberg
The Study of the Correlation of Adorno’s“Aesthetic Nominalism”with Postmodern Art Theory
Avant-garde Art and Capitalism:An Aspect of the“Sublime”in J.-F.Lyotard
A Criticism of Weinberg and Meskin’s Alternative Account of the Cognitive Imagination
The Development of Sartrean Ethics After World War II:Moral Attitudes in Artistic Relation
Aesthetic Experience and its Interaction with Knowledge
IV City,Countryside and Environment
The Aesthetic Politics of Environment
Ten Steps in the Development of Western Environmental Aesthetics
Playing Nature:Aesthetic Implication of“Record on Playing Mountain”
Future Directions for Environmental Aesthetics
The Aesthetics of the Antique City
Reading the Postmodern On Built Environment:Urban Aesthetics of Istanbul and Cultural Aspects Behind
V Chinese Aesthetics and Art
Chinese Contemporary Art:The Challenges of Urbanization and Clobalization
Water and Stone:Contemporary Chinese Art and the Spirit Resonance of the World
Natural Beauty and Literati Strokes:Shitao,Merleau-Ponty and the Practice of Painting
Presence and Absence:An Aesthetic Analysis of Traditional Chinese Arts
Marxist Aesthetics in China
VI Other Non-Western Aesthetics and Art
Japanese Aesthetics from an Inter-Cultural Perspective
The View of the Mountains Was“Amusing”:Surveying the Application of the Japanese Aesthetic Term Omoshiroshi to Nature
Nature and Modern Architecture:The Reawakening of Nature in Asian Architecture in the 1920s
Japanese War Films and Recent Political Discourse in Japan
Housui Yamamoto’s The Return of Urashima and the Greco-Roman Phantasm in the Third Decade of the Meiji Era
The Aesthetics of Between in Korean Culture
Persian Painting as a“Narrative Construction of Reality”
Alogia and Love in Macunaíma
Mekangô(People-drawing):Graphics and Spatiality among Brazilian Indians as a Nonverbal Language
Savouring the Rasa of Life:The Artful Yogi in Kashmir Şaivism
Aesthetic Pleasure:A Unique Synthesis of Indian Poetics and the Upanishadic Thought
VII Comparative Aesthetics:East and West
The Wheel of Fortune vs.the Mustard Seed:A Comparative Study of European and Chinese Painting
The Aesthetic and the Religiousin Plotinus and Nishida
The First Western Defense of Chinese Aesthetics:Isaac Vossius’s On the Arts and Sciences of the Chinese(1685)
Consciousness of Time and Chinese Traditional Aesthetic Styles:A Comparative Perspective
Aesthetic Elegance Cultural Complicities:Japan and the West
A Comparative Study of Istiklâl Street and Kärtner Strasse
VIII Aesthetics of Various Arts
The Symbolic Aesthetics of Shadow Play or the perseverance of Puppet Theatre in the Digital Age
Re/presenting The Art of Mono no Aware and the Question of Japaneseness in Ozu’s Noriko Trilogy
Art Narratives:The End,or the Emergence of a New norm?
A Multicultural Approach to the Idea of Tragedy
Stories in Pictures(and Non-Pictorial Objects)-A Narratological and Cognitive Psychological Approach
Digital Photography and the Problem of Indexicality:Revising“Photo-Index Theory”from a Peircean Point of View
Articulations of Space,Community,Neighborhoods-Poetics,Micropolitics in Contemporary Art:A Few Examples
Theatricality between Aesthetics and Politics:The Ethics of Photography
Installation Art and Architectural Idea
Why can’t we Discern Anything But“Consonant”or“Dissonant”in Ornette Coleman’s improvisation?——Concerning“Modulation Through Keys”and“Chromatic.”

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